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Aaron Meyers
Current location
Los Angeles, CA
Year(s) of residency and/or fellowship
201011, Research Resident

Aaron Meyers is a designer and programmer using generative strategies in the creation of software and moving image. Since earning his MFA at the USC Interactive Media Division in 2007, Meyers worked in the now-defunct Yahoo Design Innovation Team, taught classes at UCLA Design Media Arts, and continues to work on a variety of interactive projects for diverse clients that have included Digg, Radiohead, and Diller Scofidio + Renfro. (2010) was a simple website that allowed visitors to create and share animated .gifs using their webcam.

Animation, Net-Art, Web



Generative Laser Cuts (2010)

A series of generative images created using custom software written with Processing and burned into plywood using the Eyebeam laser cutter.

Shown at The Root of the Root in October 2010 at Devotion Gallery.

Using custom software written with Processing, Meyer’s artworks offer patterned images burned onto plywood by a laser cutter. The works had a tactility the others, which are primarily shown on screens, lacked. The small, light boards seemed to gleam against the dark walls of the cozy gallery.


people.points (2010)

In collaboration with Eyebeam Alum, Kyle McDonald


A realtime 3D scanning installation, people.points uses a technique called structured light to transform a live webcam feed into an animated, morphing and transforming 3D point cloud.

Animation, Data Visualization, Immersive, Video


World Series of ‘Tubing (2009)

Collaboration with Eyebeam Alum, Jeff Crouse

Art Fag City critic and series participant Paddy Johnson calls it, “The most challenging IRL Internet competition of the decade.”

“Blurring distinctions between performer, audience, and participant, this work exposes and makes fun of network culture.” – Brian McCormick on “World Series of ‘Tubing”

The World Series of ‘Tubing is a conceptual augmented reality game played in front of a live audience, combining the intensity of a high-stakes poker tournament with the world of sensational online video. The competition consists of two players trying to out-do each other by presenting a series of YouTube videos (rendered as an augmented reality layer on top of a real card) to an audience in a series of fast-paced rounds. The competitors can manipulate the playback of the video in a number of ways by tilting or gesturing with their card. The crowd decides which video/card wins by shooting a target on stage with a laser, and the process repeats until a player wins three rounds. During the game, commentators provide a running commentary on the game much like during a football or World Series of Poker game.

The World Series of ‘Tubing brings televised competitive sport and game show aesthetics into the realm of participatory theater, complete with live commentators and stellar motion graphics. The everyday action of “favoriting” online media is expanded into a participatory game show. By blurring the distinctions between performer, audience, and participant, it work builds upon the inherent qualities of shared culture as it exists online.



Praying@Home (2009)

Collaboration with Eyebeam Alum, Jeff Crouse

Inspired by distributed computing projects such as Folding@Home and SETI@Home, Praying@Home is the name given to a suite of technologies developed by The Institute for Faith-Based Technology, or IFBT, innovators in the field of technologically-aided spirituality. The first development is the PrayerRecorder™ – a USB device that plugs into any PC and allows the user to capture her unique Prayer Signature®, an ultra-frequentic resonance that is “broadcasted” by the human body while praying. The user simply attaches the InFaBat Senso-Cap to her temples and forehead, presses a small InFaBat Prayer Paddle™ between her hands, and prays on a particular subject. Meanwhile, the PrayerRecorder captures and records the PrayerSignature to the users’ hard drive. Then, using the InFaBat PrayerBroadcaster™, we can broadcast her Prayer Signature, somewhat like an FM radio station that only God can hear! Unlike humans, who need to take breaks from praying to fulfill biological needs, computers need no breaks, resulting in 24/7 prayer output. Additionally, the PrayerBroadcaster unit is equipped with a SPU (Standard Prayer Unit) Amplifier, which increases the strength of your prayers by up to 54%. These technologies truly represent a revolutionary breakthrough in the field of Digital Prayer Technology. Praying@Home is a parody of Christianity’s attempt to validate itself in the scientific academy, as seen in “scientific” studies about the effectiveness of prayer, creationism, intelligent design, and faith healing. Our fictitious group – The Institute for Faith-Based Technology – claims to be interested in finding a link between technology and faith, seeming not to notice that their attempts undermine the very idea of faith – namely that it doesn’t care about evidence. They believe that praying is a purely mechanical task and should be dealt with like any other task that is such a waste of human effort – by mechanizing it. In so doing, not only do we save time, but we take advantage of the added efficiency, tirelessness, and networkability of computers to multiply the worlds prayer output infinitely, thus solving all of the worlds problems and creating a utopia on Earth.

The Institute will invite visitors to try out their PrayerRecorder and PrayerBroadcaster technology at the Expo in an attempt to get them to buy the home version. As a marketing scheme, the Institute has announced that they will try to collect 375,000 “Beckells“, or “Standard Prayer Units” (discovered by Fredrick Beckell in the 1970s) during the Expo. Each user who volunteers to kneel down in the booth and use the PrayerRecorder contributes a varying number of Beckells depending on the purity of their thought and the strength of their unique Prayer Signature.

The Institute also displays a not-so-subtle favoritism towards Christianity, simply assuming that the Christian God is the “correct” god to pray to, while also imposing their on values on the users by warning them against thinking any un-Christian thoughts while operating the PrayerRecorder. This very dystopic attitude betrays the fact that the illusion of utopia often hides a darker truth.

In society today, criticizing a persons religion is often seen as un-PC at least, and completely taboo at worst. Religion is given special privileges in most areas of public life, from politics to casual conversation, where other beliefs, like non-religious pacifism, are not protected by the law. People treat religion as if it is something immutable, like race or sex, rather than as a choice that a person makes for themselves. Through this parody, we hope to open a debate that is often enthusiastically avoided by forcefully insisting that religion should be open to criticism just like any other belief.

Eyebeam models a new approach to artist-led creation for the public good; we are a non-profit that provides significant professional support and money to exceptional artists for the realization of important ideas that wouldn’t exist otherwise. Nobody else is doing this.

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