Introducing the new version of the Bright Bike DIY Kit. To BUY a DIY Kit right now, go to

After a year of testing, we are releasing DIY Kits for an updated version of the Bright Bike. The kits come in two types: Caterpillar and Pinstripes.

The Caterpillar has 1 inch bands that wrap around the main tubes, and in inch dashed lines along the fork and seat stays.

The Pinstripe has 1/4 inch strips that run along the outside faces of all tubes.

Each kit is sized to be large enough for a 61cm frame with extra wide tubing, so in nearly every case, you will have extra materials that will give you room to play and experiment.

Video by Bennett Williamson. Tx to Scott Kildall for playing along. (Michael, Bennett, and Scott are the bike wrappers)


Security Patterns is a studio visit installation of recent laser cut work. These sculptures and drawings are made from old books laser cut with poignant words, and drawings made from industrial patterns, all of which explore transformations in technology and their relationships to evolutions (or devolutions) in economies. Some choice examples include: two display bookshelves with an ever growing collection of 130+ investment guide books and get-rich-quick books (e.g. “Weath is a Choice” or “Investing by the Stars”) all laser engraved with the logos of failed FDIC Insured banks, A shrink wrapped bundle of 12 Yellow Pages that have been cut all the way through with the phrase “GOOGLE” and a dictionary with the phrase “OMG LOL” cut from its pages.


Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance.

Formed in 1987, CAE's focus has been on the exploration of the intersections between art, critical theory, technology, and political activism. The group has exhibited and performed at diverse venues internationally, ranging from the street, to the museum, to the internet. Museum exhibitions include the Whitney Museum and The New Museum in NYC; The Corcoran Museum in Washington D.C.; The ICA, London; The MCA, Chicago; Schirn Kunsthalle, Frankfurt; Musée d’Art Moderne de la Ville de Paris; and The London Museum of Natural History.

Eyebeam CV
2006FExhibiting Artist
SExhibiting Artist
(see all rows)
2002FExhibiting Artist
SExhibiting Artist

Open Video Sync is one of my Eyebeam projects and will be a way to turn your iPhone or iPod touch into a cheap and wireless video synchronization tool.

We have unfortunately come to the conclusion that we will have to release this as a jailbroken application which means it will be released on the Cydia Store rather than the Apple Store (here is a glossary of what these terms mean) which means restricting the audience to a more tech-savvy group, but there is no other way.


Shared by reBlog @ Eyebeam

This week Cory Arcangel invites us for a peep behind-the-scenes to see how his inimitable brand of internet-infused, code-heavy art gets made. Cory’s one of those rare artists who knows how to make digital art with heart and flesh and soul. With a catalog of work that often celebrates the unfiltered human weirdness and beauty piped to our homes as the internet, the conversation returns several times to the World Wide Web. When we ask Cory for a run down of his favorite internet videos, he shows us a few awesome ones—like this and this. We talk about his earliest work, the now infamous Super Mario Clouds, and the treatise he wrote on jpeg compression. Cory plays us part of his latest piece, a recreation of Arnold Schoenberg’s 1999 op. 11 Drei Klavierstücke comprised entirely of Youtube clips with cats playing piano. And for anybody out there making art as you watch along at home: Cory even gives some great encouragement and advice about the art making process.

Image courtesy of Colin Hutton

Creative director and founder of London based art collective D-Fuse. His background is in fashion design and photography, working on record sleeves for labels including Talkin' Loud, Sub Rosa, and Crammed Discs.  Moving into motion graphics eight years ago, Michael has been active in diffusing and creating video for D-Fuse.  Michael also teaches at Camberwell College of Arts.

Eyebeam CV
2005FExhibiting Artist
SExhibiting Artist
Image courtesy of Electronic Art Intermix

Nam June Paik and Jud Yalkut

1966-72, 1992, 2:59 min, color, sound

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Project Created: 
October 1966
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