we now have a sound meter documenting the construction ... noise from the arena. we're way over par. blocknoise presents the noise from various distances; the c-reading is low-noise. my nerves are shot; I'm seeing a doctor for anti-anxiety and sleeping pills, and a pulmonologist to try and figure out what to do about my deteriorating breathing. See MoreEdit
Eyebeam is pleased to announce the recipients of its 2013 Spring/Summer Residencies and 2013 Fellowships, beginning in March. Residencies have been awarded to 7 artists and Fellowships have been awarded to 4 artists. The research-based practices represented by this cohort will focus on a broad spectrum of topics including web-based poetics; online information biases; Cyberfeminism and online art in the early 90's; and relationships to the virtual in everyday life. All incoming artists and technologists receive generous stipends and 24/7 access to Eyebeam's design, research and fabrication studios.
Part of the Eyebeam Chats series…
Poetics of Computer Language: Beauty, complexity and metaphor in the development of new computer languages. Jonathan Vingiano, Ramsey Nasser and Brian House in conversation with Caroline Woolard.
Jonathan Vingiano and Ramsey Nasser are both creating engaging, intuitive and poetic computer programming languages, focusing on the aesthetics of user interface and code. Brian House is a composer and programmer who is intensely interested in the difference between ‘scores’ and ‘code’ in computer music.
The Rhythmanalysis Lab is concerned with the observation, representation, and interpretation of rhythms in everyday life. Inspired by the work of Henri Lefebvre, it is a framework for projects, workshops, and investigations at the intersection of urban research, sound, and data science.
Will the (future) rhythmanalyst ... set up and direct a lab where one compares documents: graphs, frequencies and various curves? ... Just as he borrows and receives from his whole body and all his senses, so he receives data from all the sciences: psychology, sociology, ethnology, biology; and even physics and mathematics ... He will come to 'listen' to a house, a street, a town, as an audience listens to a symphony.
- Henri Lefebvre, "The Rhythmanalyst: A Previsionary Portrait" in Rhythmanalysis: Space, Time and Everyday life. New York City: Continuum, 2004. Pg. 22.
Forty-eight to Sixteen documents my daily commute from Brooklyn to midtown Manhattan with sensors for my heartrate, breathing, and the cadence of my pedaling, along with chest-mounted video. Cellist Topu Lyo interprets my experience via a composition I derived from the sources that is precisely timed with the video. I am interested in 'performing' data and my and Topu's divergent but equally physical relationship to the information. Additionally, the physiological basis of empathy has implications for recent trends in media culture toward first-person viewpoints and the integration of biometrics into documentary. (Named after the gear ratio of my bike.)
http://brianhouse.net/works/forty_eight_to_sixteen/