Michel de Broin deepens his cross-disciplinary practice by developing an ever-expanding visual vocabulary. His approach to production explores the intersections between technological, biological, and physical systems. Crafting unforeseen relationships between waste, productivity, consumption and risk, de Broin challenges the use-value and conventional associations of familiar objects and symbols: he infuse them new meaning and develops new contexts.

His work has been exhibited at the Musée d’art contemporain de Montréal; the Musée d’art contemporain du Val-de-Marne; France; the Künstlerhaus Bethanien, Berlin; the Plug-In Institute of Contemporary Art, Winnipeg; the Museum Tinguely, Basel; the Centre d’art Villa Arson, Nice; at Eyebeam, New York; and at the Hessel Museum of Art, New York. His work is held in several museums and public collections, including the National Gallery of Canada; the Art Gallery of Ontario; the Musée des beaux-arts de Montréal; the Musée national des beaux-arts du Québec; the City of Montreal; the FRAC Poitou Charentes, France; and the Neuer Berliner Kunstverein, Germany.

His public art works and commissions include Dendrites, 2017, Montreal; Threshold, 2017, Montréal; Interlude, 2016, Québec city; Bloom, 2015, Calgary;  Possibilities, 2012, Mississauga; Interlace, 2012, Changwong; Majestic, 2011, New Orleans; Revolution, 2010, Rennes; Arch, Montréal, 2009; La maîtresse de la Tour Eiffel, 2009, Paris; Overflow, 2008, Toronto; Encircling, Christchurch, 2006; Shared Propulsion Car, 2005, New York and 2007, Toronto; Révolutions, 2003, Parc Maisonneuve-Cartier, Montréal.

Recipient of the 2007 Sobey Art Award, de Broin has also received grants from Canada Council for the Arts, the Harpo Foundation (Los Angeles) and Krasner-Pollock Foundation (New York), and was awarded a residency at International Studio and Curatorial Program (New York), the Kunstlerhaus Bethanien (Berlin), Acme studio (London) and Villa Arson (Nice).

He is represented by the Galerie Division, Montreal.