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Maya Kalogera is an interdisciplinary artist. Born in Zagreb, she holds a BFA from the School of Applied and Visual arts, Zagreb and a master's degree from Architecture University, Zagreb. She works with a diverse palette of tools including paintings, photography, video, sound, space, networks and programming. She is a member of the online collective wowm.org. She also collaborates as freelancer with provox.hr; a multimedia and 3D game producer advancing her media and programming skills. At present, she is working on a virtual tour of the exhibition II Croatian International Biennial of Illustration at the Gallery Klovicevi Dvori, Zagreb. She won Visiting Arts Grant from Henry Moore Foundation in March 2004 with artist Anya Lewin. She is working on ongoing project about e-loneliness, exploring the ways in which digital media influences social and spatial relationships.

 
Research: Education Lab
Tags: circuit, web
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Accessible Happiness

Project Created: 
09/2005
 
Projects: Accessible Happiness
People: Maya Kalogera
Project Type: Web
Tags: web
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Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance.

Formed in 1987, CAE's focus has been on the exploration of the intersections between art, critical theory, technology, and political activism. The group has exhibited and performed at diverse venues internationally, ranging from the street, to the museum, to the internet. Museum exhibitions include the Whitney Museum and The New Museum in NYC; The Corcoran Museum in Washington D.C.; The ICA, London; The MCA, Chicago; Schirn Kunsthalle, Frankfurt; Musée d’Art Moderne de la Ville de Paris; and The London Museum of Natural History.

 
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Aram Bartholl has been working in Berlin since 1995. His work thematizes the relationships between net data space and every day life. "In which form does the network data world manifest itself in our everyday life? What returns from cyberspace into physical space? How do digital innovations influence our everyday actions?"

 
Tags: video, web
Hours: 
Tuesday - Saturday, 12 - 6 pm
Venue: 
Eyebeam
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INSTALL.EXE by JODI
April 22 - June 3, 2003
Tuesday - Saturday,
12 - 6 pm 540 W. 21st St.

INSTALL.EXE, the first U.S. solo exhibition by the arts collaborative JODI who pioneered the use of the internet as an artistic medium was on view from April 22 through June 14, 2003 at Eyebeam's Chelsea facility.

 
Projects: The First Time You Start Your Computer, Jet Set Willy Variations, INSTALL.EXE
People: JODI
Tags: video games, web
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Group Members: 

Jodi, or jodi.org, is a collective of two internet artists: Joan Heemskerk and Dirk Paesmans.  Since the mid-1990s they started to create original artworks for the World Wide Web. A few years later, they also turned to software art and artistic computer game modification. Since 2002, they have been in what has been called their "Screen Grab" period, making video works by recording the computer monitor's output while working, playing video games, or coding.  Jodi's work has been included in many international exhibitions and festivals, including documenta X in 1997. They received a Webby Award in the Arts category in 1999.

 

 
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Image courtesy of V2 Institute for the Unstable Media

Dirk Paesmans was born in Brussels in 1965. Together with Joan Heemskerk he forms the artist collective JODI. Before they decided to "specialize" in the Internet, they worked together to create videos.

 
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image courtesy of V2 Institute for the Unstable Media

 

Joan Heemskerk was born in Kaatsheuvel, the Netherlands in 1968. She studied photography, before she formed together with Dirk Paesmans, the artist collective Jodi.

 

 
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World of Awe: mRB (2002)

Yael Kanarek and Bnode (Judith Gieseler and Innes Yates) elaborate on Kanarek's ongoing multi-media project, World of Awe, an original narrative that uses the ancient genre of the traveler's tale to explore the connections between storytelling, travel, memory, and technology. Here, the artists investigate the diffusion of techno-scientific knowledge into popular culture through a fictional supertoy -- the mRB. In the World of Awe's Traveler's Journal, the mRB is a prototype for the moodRingBaby. Resembling an advanced Tamagotchi, the device is capable of holding conversations and telling stories. The project utilizes a 3D web interface that allows the user to browse various aspects of the mRB for clues to its origin, experiences, and character. The mRB web experience is augmented by the physical installation, which incorporates spatial, material and organizational themes.

Project Created: 
10/2002
 
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