In 2007 Brooke Singer produced an online data visualization site, Superfund365 (www.superfund365.org), exhibited at Eyebeam in 2008 as part of the Feedback exhibition. The project and web site highlighted a different Superfund site or the worst contaminated sites as designated by the EPA each day for a year. Currently she is working on a photography and book project drawing from that large online archive and her experiences visiting communities across the nation affected by Superfund. She is choosing which sites to photograph with her large format camera for a variety of reasons: the site has a fascinating history, a site’s stakeholders are in contention over its future use, a site’s history is exemplary of how places become contaminated or a site appears anything but toxic. Sometimes an eloquent user contribution to the online archive compels a visit.
NASA has posted some stunning images of the gulf oil spill as it creeps toward the Mississippi River Delta. Click on the 1st image to see it blown up 400% to see a lot of the details missing in the smaller version.
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.