Eyebeam will hold Open Studios for Artists In Residence, Student Residents, and Senior Fellows
Friday, October 23 and Saturday, October 24, from 3-6pm.
A two-day presentation at Eyebeam Art + Technology Center allowing a rare, inside look at current research. Guided tours of artists’ work will be given every hour from 3–6PM.
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Eyebeam is pleased to host Open Studios for its 2009 Senior Fellows, Resident Artists, and Student Residents at Eyebeam’s state-of-the-art design, research, and fabrication studio; showcasing video performance, wearable technologies, code and humor, party technology, and sustainablity design.
Jeff Crouse, David Jimison: BoozBot. Photo: Christine A Butler, courtesy of Eyebeam.
A two-day presentation allowing a rare inside look at the current state of research at Eyebeam
Friday, May 15, and Saturday, May 16, 2009; 3 - 6PM Eyebeam: 540 W. 21st St. (btw 10th and 11th Aves.)
New York City, April 28, 2009:
Eyebeam is pleased to host Open Studios for its 2009 Senior Fellowships and Winter/Spring Residencies at Eyebeam’s state-of-the-art new media design, digital research, and fabrication studio; showcasing work in the areas of performance, experimental film, wearable technologies, open culture and sustainable art.
Eyebeam will hold Open Studios for Artists In Residence and Senior Fellows Friday, May 15 and Saturday, May 16, from 3-6pm on both dates. A two-day presentation allowing a rare inside look at the current state of research at Eyebeam
Eyebeam will hold Open Studios for Artists In Residence and Senior Fellows A two-day presentation allowing a rare inside look at the current state of research at Eyebeam
Eyebeam is pleased to host Open Studios for its 2009 Senior Fellowships and Winter/Spring Residencies at Eyebeam’s state-of-the-art new media design, digital research, and fabrication studio; showcasing work in the areas of performance, experimental film, wearable technologies, open culture and sustainable art.
Recipes for an Encounter functions as a literary extension to the 2008 group exhibition "Kits for an Encounter" at Vancouver's Western Front, which consisted of work that actively engages the viewer by providing the necessary components for instigating or troubling the notion of an encounter. This collection of texts, diagrams, and illustrations provides further "how-to" instruction for relational projects in the manner of a recipe book.
