Tue - Sat, 12 - 6PM / 212.937.6580 / 540 W 21st St. New York, NY 10011
The first year of Eyebeam's Computational Fashion initiative culminates with an exhibition by Fellows Carrie Mae Rose and Kaho Abe. Join the artists and their collaborators, Dan Steingart and Katherine Isbister, as they present the research and final outcomes on Monday, October 21, 6:30-8:30pm. Kaho's immersive project, The Lightning Bug Game, will be available for visitors to play. Come test it out!
About the Work
Carrie Mae Rose, in collaboration with battery expert Dr. Dan Steingart, have developed a series of illuminated wearable sculptures that integrate technology to visualize the movement of subtle electrical circulations around the physical body and how they interact with the breath and other unseen forces. The installation, Light as a Feather, will be on display October 8 - 26 in Eyebeam's Project Space.
Kaho Abe presents, The Lightning Bug Game, an immersive two-player experience that explores the potential of costumes as a game controller. The installation, on display in Eyebeam's Main Space from October 21 - November 2, will include costumes embedded with interactive technology, a large-scale dome projection, and visual documentation about the process behind the work, developed in collaboration with Dr. Katherine Isbister, Director of the NYU-Poly Game Innovation Lab.
For more information about Computational Fashion, visit: http://fashion.eyebeam.org
Computational Fashion is supported in part by The Rockefeller Foundation Cultural Innovation Fund.
Held in tandem with What Do We Do Now?
The panels are intended to inspire alternative aesthetics, interventionist tactics and economic models for critical art practices. In a time in which the conventional economic, social and culture values are in crisis, there is a need for new strategies and points of reference in art and politics, while diversifying resources for living and producing meaningfully.
The act of searching for alternatives becomes a performative process through setting experimental forms of engagement and production in today’s ever-expanding complexity. Performing reconfigurations of agents, agendas and visions in art means taking risks, pushing the boundaries of art forms and disobeying norms, therefore staging cultural shifts that elicit change as the basis of art itself.
Curated and organized by Paolo Cirio.
Ontologies of Media Art Interventions – 4:00PM
Speakers: Vito Acconci, Stephen Duncombe, Wafaa Bilal. Moderator: Peter Macapia.
The talk will consider the practice of media art interventions through the lens of performance art – examining a number of Vito Acconci’s projects and The First Work of Media Art in 1968, which was an art performance consisting of pure information staged in the mass media. Wafaa Bilal’s provocative performances with new media will make the case for today’s expanded notions of space, body and audience, as flows of informational entities orchestrated over digital networks still affect physicality. Stephen Duncombe will present others form of performative media interventions for socially engaged art that he studied and fostered for decades. Artist, scholar and curator Peter Macapia will facilitate a discussion among the speakers to define informational bodies and arenas through post-structuralist theories.
Speakers: Lina Srivastava, Marisa Jahn, Mark Amerika. Moderator: Paolo Cirio .
The talk will explore the potential of inventive forms of storytelling to penetrate and change reality. Captivating plots and characters who perform via pervasive media can actively engage the public in alternative scenarios that inform, educate and inspire. Lina Srivastava will introduce Transmedia Activism in order to design social change through storytelling in NYC. Mark Amerika, a pioneer of interactive fiction, will explain the critical qualities of mediated realities and his recent transmedia fiction within the art world and its fads. Writer and artist Marisa Jahn will tell the story of the living legend of El Bibliobandido, which was produced in a region of Honduras with an 80% illiteracy rate.
The Art of Performing Political Innovation – 6:00PM
Speakers: Carne Ross, George E. Sánchez, Denisse Andrade Arévalo. Moderator: Paolo Cirio.
The talk will examine forms of political innovation as a potential art form. During accelerated ideological and economic crises, society still possesses powerful tools and knowledge that can be applied towards radical social change as never before. Today, reinventing social structures is a crucial creative challenge, which is a process of experimentation dedicated to a renewed political project. Carne Ross will discuss a form of participatory radical democracy through decentralized leadership and alternative banking. Performer George Emilio Sánchez will present projects that engage with participatory budgeting and learning through performances as a means to foster social engagement. Curator Denisse Andrade Arévalo will talk about art practices that, from a critical standpoint, evoke collectivity and suggest an engagement with - directly or indirectly - oppositional movements.
Performing Alternative Art Economies – 7:00PM
Speakers: Laurel Ptak, Jose Serrano-McClain of Trust Art, Carlo Zanni. Moderator: Paolo Cirio.
The talk will look at cases of alternative economic models for contemporary art. In a time of high speculation in the secondary art market and with a shortage of funding for young artists, new models are emerging that challenge the notion of consuming and collecting art. Laurel Ptak will present ideas regarding mutual aid for art labor and critique of art economies, while Jose Serrano-McClain will introduce a new platform for sharing resources and means of production among artists. Carlo Zanni will present his project PeopleFromMars.org to experiment new distribution models for media art and to share revenues on the sale of artworks among the artists involved in the platform.
Ontologies of Media Art Interventions – 4:00PM
Vito Acconci’s design & architecture comes from another direction, from backgrounds of writing & art. His poems in the late 60’s treated language as matter (words to look at rather than through) & the page as a field to travel over; his performances in the early 70’s helped shift art from object to interaction; later in the 70’s, his installations turned museums & galleries into interactions between spaces & people; in the early 80’s, his architectural-units were meant to be transformed by users. Most of his early work incorporated subversive social comment. His performance and video work was marked heavily by confrontation and Situationism. By the late 80’s his work crossed over & he formed Acconci Studio, a design firm that mixes poetry & geometry, computer-scripting & sentence-structure, narrative & biology, chemistry & social-science. The Studio uses computers to give form to thinking; they use forms to find ideas. They make not nodes so much as circulation-routes, they design time as much as space. His work has been shown and collected by the major art museums worldwide.
Wafaa Bilal is Iraqi-born artist and Associate Arts Professor at New York University’s Tisch School of the Arts, is known internationally for his on-line performative and interactive works provoking dialogue about international politics and internal dynamics. For his 2010-2011 project, the 3rdi, Bilal had a camera surgically implanted on the back of his head to spontaneously transmit images to the web 24 hours a day. Bilal’s 2007 installation, Domestic Tension, also addressed the Iraq war. Bilal spent a month in a Chicago gallery with a paintball gun that people could shoot at him over the internet. The Chicago Tribune called it “one of the sharpest works of political art to be seen in a long time” and named him 2008 Artist of the Year. Bilal suffered repression under Saddam Hussein’s regime and fled Iraq in 1991 during the first Gulf War and spent two years in refugee camps in Kuwait and Saudi Arabia. His work can be found in the permanent collections of the Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Photography, Chicago, IL; MALTAF: Arab Museum of Modern Art, Doha, Qatar; amongst others.
Stephen Duncombe is an Associate Professor at the Gallatin School and the Department of Media, Culture and Communications of New York University where he teaches the history and politics of media and culture. He is the author of Dream: Re-Imagining Progressive Politics in an Age of Fantasy and Notes From Underground: Zines and the Politics of Underground Culture amongst other books. He is a life-long political activist, co-founding a community based advocacy group in the Lower East Side of Manhattan and working as an organizer for the NYC chapter of the international direct action group, Reclaim the Streets. In 2009 he was a Research Associate at the Eyebeam where he helped organize The College of Tactical Culture. With funding from the Open Societies Foundations he co-created the School for Creative Activism in 2011, and is presently co-director of the Center for Artistic Activism. Duncombe is currently a Senior Research Fellow of Theatrum Mundi, an international consortium of artists, designers and scholars.
Peter Macapia is an architectural designer and artist, founder of labDORA, and adjunct assistant professor at Pratt. He focuses on advanced computational design and the politics of urban space. He has taught at Columbia University and Sci-Arc, as well as ESA Paris, TUS Tokyo, and TU Delft. His work is collected by such institutions as FRAC Orleans and published in Architectural Record, Log, Domus, A+U, and PinUp. He is currently preparing exhibitions in Guadalajara Mexico on immigration and space and Zagreb Croatia on economies of borrowing and robbing space. He is completing a book on the history of force in the work of Foucault and Deleuze. Macapia studied at RISD and Harvard, and received his PhD from Columbia.
Tactical Fiction for Alternative Realities – 5:00PM
Mark Amerika is a pioneer of net art and hypertext fiction since 1992. His work has been exhibited internationally at venues such as the Whitney Biennial of American Art, the Denver Art Museum, the Institute of Contemporary Arts in London, and the Walker Art Center. In 2009-2010, The National Museum of Contemporary Art in Athens, Greece, hosted Amerika’s comprehensive retrospective exhibition entitled UNREALTIME. He is the author of many books including remixthebook (University of Minnesota Press, 2011) and his collection of artist writings entitlesd META/DATA: A Digital Poetics (The MIT Press, 2007). Amerika is a Professor of Art and Art History at the University of Colorado at Boulder.
Marisa Jahn is an artist, writer, and activist of Chinese and Ecuadorian descent. Jahn is the Executive Director of REV- (as in to rev an engine), a nonprofit studio whose public art projects combine creativity, bold ideas, and sound research to address critical issues. REV- is a women and minority-led team of artists, techies, media makers, low-wage workers, immigrants, and teens seeking to impact the immediate and long-term. A 2013 Open Doc Lab Fellow at MIT and former MIT graduate, Jahn’s work has been presented at venues such as The White House, Studio Museum of Harlem, Museum of Modern Art, Walker Art Center; received grants and awards such as Tribeca Film Institute’s New Media Fund, Rockefeller Cultural Innovation Fund; and received reviews in media such as ArtForum, The New York Times, The Wall Street Journal, BBC, and more.
Lina Srivastava is a social innovation strategist, working at the intersection of social impact, transmedia storytelling, and design. Lina has been involved in social engagement campaigns for several documentaries, including Oscar- winning Born into Brothels, Emmy-nominated The Devil Came on Horseback, Oscar-winning Inocente, and Sundance-award winning Who Is Dayani Cristal?. The former Executive Director of Kids with Cameras, and the Association of Video and Filmmakers, Lina has taught design and social entrepreneurship at Parsons, The New School of Design, and is on faculty in the Masters of Fine Arts Program in Design and Social Innovation at the School of Visual Arts.
The Art of Performing Political Innovation – 6:00PM
Carne Ross is a writer and political activist. A former British U.N. diplomat who resigned over the Iraq war, Carne founded and now leads Independent Diplomat, an expert team of former diplomats which advises democratic but marginalized governments and political groups so that their views are heard internationally. His recent book, The Leaderless Revolution, analyzes the current failure of governments and alternative forms of political organization, including anarchism. Carne has also been heavily involved in an Occupy Wall Street initiative to offer a new kind of banking – The Occupy Money Cooperative.
George Emilio Sanchez is a writer, performance artist and educator. For the past six years he has directed Henispheric Institute's Emergenyc program that aims to explore the intersection between arts and activism. Since 2011 he has worked with New York City Council Member Brad Lander's Participatory Budget Committee as a delegate and facilitator. He is the chairperson of the Performing and Creative Arts Department The City University of New York/College of Staten Island. He is currently collaborating with Patricia Hoffbauer on her piece, "Para-Dice" which will premiere at St. Mark's Church and Danspace in November. His most recent solo performance, "Buried Up To My Neck While Thinking Outside The Box" will be presented at the Bronx Museum of the Arts in fall 2014.
Denisse Andrade Arévalo is an activist, and an independent curator currently pursuing a PhD in Geography at the Graduate Center, CUNY. She also teaches at Hunter College. In 2012 Denisse co-curated the exhibition Creative Destruction at The Kitchen in NYC, regarding the economic recession and related global outcries.
Performing Alternative Art Economies – 7:00PM
Laurel Ptak employs curatorial, artistic and pedagogical modes to critically attend to social and political dimensions of contemporary art and technology. Based in New York City, she is currently a fellow at Eyebeam, teaches in the Art, Media and Technology department at The New School and together with artist Marysia Lewandowska is co-editor of the recent book Undoing Property? which explores artistic practices in relationship to immaterial production, political economy and the commons, published by Sternberg Press in 2013.
Jose Serrano-McClain is an organizer and artist interested in the economics of the creative spirit. He started his career as an economic analyst at the Federal Reserve Bank of New York. In 2009 he co-founded Trust Art (trustart.org) to experiment with economic models for public and socially-engaged artistic practice. In 2010, he joined the Queens Museum of Art in a unique role that reports to both the curatorial and community engagement departments of the museum, identifying opportunities for commissioned artist projects to make meaningful connections with community organizations in Corona. Through the museum, he is also one of the lead visionaries of Social Practice Queens, a partnership with Queens College to develop an MFA concentration in Social Practice. Jose has presented at the TED Conference in California, the Feast Conference in New York, and the Open Engagement conference in Portland. Jose graduated with a BA from the University of Pennsylvania in 2001, where studied literature, theater, politics, philosophy, economics. Jose has done graduate work in architecture at Columbia University and is currently completing his MFA in Social Practice at Queens College.
Carlo Zanni is an Italian new media artist. Since the early 2000’s his practice involves the use of Internet data to create time based social consciousness experiences investigating our life. Carlo Zanni has shown worldwide in galleries and museums including: Hammer Museum, Los Angeles; New Museum, New York; Tent, Rotterdam; MAXXI, Rome; P.S.1, New York; Borusan Center, Istanbul; ACAF Space, Alexandria; PERFORMA 09, NY; ICA, London; Science Museum, London.
Paolo Cirio is a media artist known for his controversial and innovative artworks. Cirio explores the idea of information’s power through rearrangements of flows and structures of social, legal and economic networks. His artworks unsettled Facebook, VISA, Amazon, Google, Cayman Islands and NATO, among others. He won several awards such as Ars Electronica, Transmediale, Eyebeam fellowship among others and his projects are often covered by global media such as CNN, La Fox, Toronto Standard, The Age, Der Spiegel, Libération, Apple Daily HK, among many others. Cirio artworks has been presented in major art institutions such as at Museum of Contemporary Art Museum of Sydney and Denver, 2013; Museum of Modern Art, Rio de Janeiro, 2012; Wywyższeni National Museum, Warsaw, 2012, SMAK, Ghent, 2010; National Museum of Contemporary Art, Athens, 2009; Courtauld Institute, London, 2009; PAN, Naples, 2008; MoCA, Tapei, 2007; Sydney Biennial, 2007; NTT ICC, 2006 Tokyo; among others.
Friday October 18 from 6–9pm
Opening party with informal presentations
Saturday October 19 from 12–4pm
Workshops, skill-shares, discussions and information tables
The Alternatives Fair offers direct access to and dialogue around numerous resources in NYC that provide alternative economic models for artists, art workers, and more—based on practices of mutual aid and cooperation. Come explore everything from education to technology to alternative media, worker cooperatives, time banks, healthcare, immigrant rights, youth & teen at-risk art programs, legal advocacy, housing, artists’ services and much more. Plus celebrate the launch of What Do We Do Now? Arts & Labor 's updated 2013–14 Alternative Economies Resource Guide To Living in New York City.
Participants will include: All in the Red, Art Production Coop, Arts & Labor, The Base, Beyond Childcare Coop, Books Thru Bars NYC, Claiborne McDonald, Center for Urban Pedagogy, Deep Dish TV, Democracy Now, Fair Pay Music, Fixers Collective NYC, Flatbush Mutual Aid, Flux Factory, Fractured Atlas, Free Cooper Union, freeDimensional, Hibridos Collective, The Illuminator, Intern Labor Rights, I Ran into Iran, Lanchonete, Making Worlds, Mayfirst/PeopleLink, MetaLocal, Mexicali Rose, Mutual Aid NYC, Neter, NYC Anti-Eviction Network, Nsumi Collective, OurGoods, OWS Screen Printers Guild, Paper Tiger Television, The Pedagogy Group, The Public School, Radix Media, REV-, Tech-Ops, TimeBanksNYC, Times Up, Trade School, Trust Art, US Federation of Worker Cooperatives, Volunteer Lawyers for the Arts, W.A.G.E., and more.
Saturday October 19 from 4–8pm
Lectures and discussion on The Art of Performing Political Innovation; Ontologies of Media Art Interventions; Tactical Fiction for Alternative Realities; Performing Alternative Art Economies
Performing Change features panels intended to inspire alternative aesthetics, interventionist tactics and economic models for critical art practices. In a time in which the economic, social, and aesthetic values of conventional culture are in crisis, there is a need for new strategies and references in art and politics, while diversifying resources for living and producing meaningfully. Featuring speakers: Vito Acconci, Wafaa Bilal, Stephen Duncombe, Peter Macapia, Carne Ross, George E. Sánchez, Denisse A. Arévalo, Mark Amerika, Marisa Jahn, Lina Srivastava, Laurel Ptak, Carlo Zanni, Jose Serrano-McClain.
Artist, composer, technologist and Eyebeam Honorary Resident, André Vida's interactive installation Score and Seek, projects animated musical notations that respond to the performers as they move and perform in the space. Over the course of the previous two weeks, the artist invited musicians to drop-in to test and refine his installation. Vida along with musicians Brett Sroka, Yuko Pepe, Jackson Moore and others for a closing performance and reception.
Doors open at 6:30PM. Performances will begin at 7:00PM and will be followed by a reception.
Score and Seek is supported by Cycling '74 and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and New York City Department of Cultural Affairs.
GAME TEST THIS SATURDAY: November 2, 3-5pm
Computational Fashion Fellow Kaho Abe presents, The Lightning Bug Game, an immersive two-player experience that explores the potential of costumes as a game controller. The exhibition, which marks the culmination of one year of research, will include costumes embedded with interactive technology, a large-scale dome projection, and visual documentation about the process behind the work, developed in collaboration with Dr. Katherine Isbister, Director of the NYU-Poly Game Innovation Lab.
Gallery visitors can play the game on:
Monday, October 21, 6:30 – 8:30pm (event info)
Saturday, November 2, 3:00 – 5:00pm
Fore more information about Computational Fashion, visit: http://fashion.eyebeam.org
Computational Fashion is supported in part by The Rockefeller Foundation Cultural Innovation Fund.
Dual Exhibition, Book Launch and Performative Reading at Eyebeam Storefront
Opening: Thursday, November 14, 6pm – 9pm
Performative Reading: Paul Amitai & eteam, 7pm
Eyebeam alumni Paul Amitai and eteam investigate the relationship between history, fiction, documentation, and science fiction with a dual exhibition and book launch for Amitai's In Between States and eteam's Buzz Cut. Independently published, both the books and exhibition explore the uncanny experience of observing foreign landscapes that are equally mundane and loaded with trace evidence from the past.
Opening night will include performative readings, an exercise in “parallel storytelling” in which each artist’s overlapping images and text allow the audience to weave their own narrative through the counterpoint dialogue between the artists’ presentations.
Paul Amitai’s In Between States is a work of personal and historical investigation and speculation, a detective story that merges contemporary field recording, archival documents, and fictional writings. The project examines the relationship between two adjacent sites – a post-World War II displaced persons camp and a present-day corporate industry park located outside of Frankfurt. In Between States also presents an alternate version of the camp as a space station orbiting Earth, devised through collaboration between governments and corporations. The installation is comprised of lost transmissions taken from the space station.
In 2012 eteam visited the towns of Mars and Moon Township in Pennsylvania. Their approach in Buzz Cut is documentary, positioning themselves as cultural anthropologists who view the towns as if they were simulated environments on the planet Mars and Earth’s satellite, the Moon. eteam will create a site-specific installation in the Eyebeam Storefront that will feature a multi-channel video and a large-scale photographic print.
NOTE: The exhibition will be closed on Thursday, November 28 for Thanksgiving, but will reopen for November 29 - 30.
LIGHT AS A FEATHER
BODYCROWNS: Poetic Models of Future Garments for Space Emigration
Eyebeam’s Computational Fashion Fellow Carrie Mae Rose, in collaboration with battery expert Dr. Dan Steingart, presents a series of illuminated wearable sculptures that integrate technology to visualize the movement of subtle electrical circulations around the physical body and how they interact with the breath and other unseen forces.
Between 2028 - 2045, ‘humanity begins the transition from a terrestrial to a solar species’ as articulated by the Rockwell Integrated Space Plan. As humanity begins to emigrate to space and live in enclosed space station environments, there are potentially devastating physical, psychological and spiritual changes that will take place. Inspired by the work of philosopher Rudolf Steiner and occultist Max Heindel, Rose’s series BODYCROWNS are physical explorations of the changes in the etheric body that will occur during the human transition to space.
Exhibition on view from October 8 - November 2, 2013
Main Event Reception: Thursday, October 24, 2013 6:00PM-8:00PM
Computational Fashion is supported in part by The Rockefeller Foundation Cultural Innovation Fund, New York State Council on the Arts with the support of Governor Andrew Cuomo, New York State Legislature and New York City Department of Cultural Affairs.