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"Dark Side of the Prism" is a Firefox Add-on that provides a soundtrack for our surveilled internet meanderings.

The public recently learned that the US National Security Agency's on-going internet surveillance program, Prism, collects data from users of major websites. Many of us already know that any data we might share-- not just Facebook posts, but our search and click pathways and histories-- could be compromised, but we do so anyway. We have normalized this ubiquitous surveillance.

"Dark Side of the Prism" uses Pink Floyd's aural prism (Dark Side of the Moon) as a playlist to the NSA's tracking efforts, serving as an auditory reminder of how our online activities are surveilled. What hypochondriac questions do you Google in the middle of the night; who do you cyberstalk? Consider those missives the lyrical component to our soundtrack. 

 

 

Eyebeam is pleased to announce the appointment of Zoë Salditch as Communications Director, beginning August 2013. Zoë will be joining us from Rhizome, a nonprofit organization affiliated with the New Museum that is dedicated to emerging artistic practices that engage technology. As Rhizome’s Program Director, Zoë oversaw and produced key programs and events, including the Commissions Program, The Download, and the annual Seven on Seven Conference. We welcome her onboard, as an experienced and knowledgeable member of the media arts community, and we look forward to her contributions to Eyebeam’s growing presence within the international fields of art and technology.

 

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Rui Hu is a B.F.A. candidate in New York University’s Tisch School of the Arts, where he studies animation, film, photography, and computer science. Recently he experiments with paper and code to create animation. At Eyebeam, he works for Computational Fashion Fellow Carrie Mae Rose to model 3D wearable sculptures in Maya.

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The Very First Year 
July 27, noon-10pm 

Join us for a full-day event exploring aspects of gender, feminism, technology and art in consideration of the fact that since Eyebeam's founding 16 years ago, 2013 marks the very first year that its roster of Fellows and Residents includes more women than men.

Featuring afternoon installations and activities by Feminist Economics Department (the FED), Miki Foster, Jen Kennedy + Liz Linden, Queer Technologies, Cassie Thornton, and Caroline Woolard, and an evening potluck dinner with presentations of current work by numerous female Eyebeam Alumnae.

Organized by current Fellow Laurel Ptak and inspired by her ongoing research at Eyebeam into cyberfeminist art practices since the 1990s.

The full schedule includes:

12pm: installations on view, coffee served, newspapers for reading
Installations on view all day will include: a Cyberfeminst Reading Room; a selection of Queer Technologies’ products including ENgenderingGenderChangers, a “solution” to Gender Adapters’ male/female binary and more; artist-made furniture designed at Eyebeam by Caroline Woolard; video presentations by Eyebeam Alumnae on their current projects and responses to The Very First Year.

1-2:30pm: New York Times Feminist Reading Group
A reading group dedicated to Saturday, July 27th’s edition of The New York Times from a feminist perspective. Participants are welcome to join regardless of whether they have read, skimmed, or even just glanced at that day's paper. The discussion begins informally with whatever news item or question participants first raise, and ranges widely from investigations of specific articles or images, to editorial choices and ad placements, to the larger questions of the business of newspapers, the migration of news into digital formats, and the future of media in general. Hosted by Liz Linden and Jen Kennedy. Questions? Email contact@contemporaryfeminism.com

3-4:30pm: Feminist Reproduction 3D Printing Workshop 
A workshop on the fundamentals of how to use the MakerBot Replicator 2 Desktop 3D Printer, focused on its feminist potential. Miki Foster will teach the basics of 3D printing while the Feminist Economics Department (the FED) leads the production of an object with extremely high, yet completely non-monetary value. Attendees will learn about and participate in 3D printing as well as help produce the first 3D prototype of a feminist financial instrument and a new logic of value.

5pm: drinks and appetizers served, personalized 3D printing tutorials 
Try your own hand at 3D printing on the MakerBot, Miki Foster will guide you through the process of printing files specially-developed by the Feminist Economics Department (the FED). You’ll be able to keep what you print and tutorials will run throughout the evening—until the filament runs dry. 

6-10pm: Potluck Dinner featuring presentations of current work by Eyebeam Alumnae 
Join numerous current and past female Eyebeam fellows, residents and honorary fellows who will present their current work over an informal and lively potluck dinner. Appetizers and drinks are provided by Eyebeam and participants and audience are encouraged to bring a dish or desert to share with all.

Upcoming The Very First Year events at Eyebeam will also take place on: Thursday August 15; Sunday October 20; Saturday November 9; Saturday February 1. All are free and open to the public. Full details will continue to be announced at: http://www.eyebeam.org/events/the-very-first-year

About the participants:

Eyebeam Alumnae have made and done many amazing things, at Eyebeam and beyond. Learn more about them at www.eyebeam.org/people

Feminist Economics Department (the FED) began in 2011 by hiring an actress to play a fictional MFA student who performed breakdowns about the value of her debt at California College of the Arts. Collective projects include the BEAUTY SALON, hosted by Ictus Gallery, San Francisco, offering services by artists that heal economic wounds; and the Poets’ Security Force presented at the Yerba Buena Center for the Arts and California College of the Arts in 2012 and the Elizabeth Foundations for the Arts in 2013. The FED was developed by artist Cassie Thornton out of a desire for a collectivity based on her interest in the debt industry which promotes individual liability and denies trust and interdependence. Cassie graduated from the CCA Social Practice Program in 2012 and currently lives and works between San Francisco and NYC. www.cassiethornton.com

Miki Foster is a digital artist, filmmaker and educator. She has worked as a new media, video production and social justice educator for the past ten years. Her current artwork weaves audio and video narratives through craftwork and new/old networks of public display. She completed her MFA in Digital Art/New Media at the University of California Santa Cruz in 2009 and holds a Bachelors Degree from the Evergreen State College. www.mikifaux.com

Jen Kennedy is a Montreal-based writer and artist. Her work has been published in journals including Grey Room, C Magazine, Image and Narrative, Fuse, and The Journal of Critical Studies in Business and Society, and a number of exhibition catalogues. Kennedy attended the Whitney Independent Study Program (ISP) from 2008–9. Liz Linden also attended the Whitney ISP from 2008–9.  She received her B.A. from Yale University.  Her work has been exhibited in various public and private institutions in New York including Ludlow 38, Bureau, and Art in General, as well as internationally in institutions including the Lunds Konsthall (Sweden) and the Stenersenmuseet (Norway). Kennedy and Linden have been collaborating since 2009. Their work has been been supported by the Department of Cultural Affairs/the Brooklyn Arts Council Community Regrant Program and a Puffin Foundation Artist’s grant. Their work has been exhibited and performed at The Whitney Museum for American Art, New Museum, The Brooklyn Museum’s Sackler Center for Feminist Art, The Center for Book Arts, ICI, and a number of other venues. www.contemporaryfeminism.com

Laurel Ptak is a curator whose work investigates social and political dimensions of technology and contemporary art. She is currently researching the history of cyberfeminist art practices since the early 1990s and is organizer of The Very First Year. www.laurelptak.com

Queer Technologies is an organization that produces critical applications, tools, and situations for queer technological agency, interventions, and sociality. By re-imaging a technology designed for queer use, Queer Technologies critiques the heteronormative, capitalist, militarized underpinnings of technological architectures, design, and functionality. QT products are shop-dropped in various consumer electronics stores, such as Best Buy, Radio Shack, and Target. QT items are produced as product, artwork, and political tool and materialized through an industrial manufacturing process so that they may be disseminated widely. www.queertechnologies.info

Caroline Woolard is an artist and organizer based in Brooklyn, New York. Making sculptures, furniture, and events, Woolard co-creates spaces for critical exchange, forgotten histories, and plausible futures. Woolard is a co-founder of OurGoods.org and Trade School, two barter economies for cultural producers. By 2018, Woolard hopes to establish a community land trust in New York City with community organizers, computer engineers, and artists who are dedicated to lifelong commoning. www.carolinewoolard.com

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Since Eyebeam’s founding 16 years ago, 2013 marks the very first year that its roster of Fellows and Residents includes more women than men. The Very First Year is a series of public events and installations in consideration of this fact, organized by 2013 fellow Laurel Ptak and inspired by her ongoing research at Eyebeam into cyberfeminist art practices since the 1990s.

 The Very First Year will explore contemporary aspects of gender, feminism, technology and art from numerous angles. A range of activities and installations will take place at Eyebeam, including public events on:

Inaugural event featuring afternoon installations and activities by Feminist Economics Department, Miki Foster, Jen Kennedy + Liz Linden, Queer Technologies and Caroline Woolard.

AND evening potluck dinner and presentations of current work by female Eyebeam Alumnae including Kaho Abe, Stefani Bardin, Carrie Dashow, Claudia Hart, CHiKA Iijima, Norene Leddy, Maria Michails, Carrie Mae RoseStephanie Rothenberg, Marie Sester, Katie Torn, Carmen Trudell, Katayoun Vaziri and Caroline Woolard.

Full schedule and participant bios are here. Photos here.

         The New York Times Feminist Reading Group

A reading group dedicated to reading that day's The New York Times from a feminist perspective, hosted by Jen Kennedy and Liz Linden.

Art + Feminism Wikipedia Edit-A-Thon

Attending to Wikipidia's notorious gender gap with an all day communal updating of entries on subjects related to contemporary art and feminism. With 30 satellite edit-a-thons also happening across the U.S. and internationally.

Organized by Siân Evans/Art Libraries Society of North America's Women and Art Special Interest Group, Jacqueline Mabey/The office of failed projects, former Eyebeam Fellow Michael Mandiberg and current Eyebeam Fellow Laurel Ptak.

Full detials are here. Photos are here. Some press is here , here and here.

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usplus is a Google Hangout app that analyzes the speech and facial expression of both participants to optimize their chat interaction experience.

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God's Eyes takes the voyeuristic dynamics of social networking to unfamiliar extremes by giving ultimate power to one user at a time, enabling them to peer into and engage with a panoply of other users' lives.