it’s late, and theyre making me write something…
If, as Bifo says, “The idea that the future will be better than the present is not a natural idea, but the imaginary effect of the peculiarity of the bourgeois production model” and yet we have watched the horizon of the future crumble into the network, as (smart) dust, a layer that receives impressions but no deeper, then, (like the songs by YACHT) Utopia and Dystopia are now one, and the old bourgeois production model is over. It has been superseded by consumption on the level of gesture, to ‘like’, to tweet, to vibrate, co-mimesis between body and image, data and action, through reflexivity and recursion. Network protocols have become means of social control. By whom? A central authority? Or by the mass of impassioned churn itself?
NEW WORK: Eternal Portraits
Facebook uses face recognition software to identify its users in photos. This works via a ‘template’ of your facial features that is created from your profile images. These features — the distance between your eyes, the symmetry of your mouth — generally do not change over time. Unlike a photograph, which captures some ephemeral expression of who you are at a particular moment, a face recognition template forever remains your portrait.
CT-SWaM: Contemporary Temporary - Sound Works and Music presents two duosMon Feb 17 20148:35p doorsEarly set, 9p sharp!Audrey Chen and Maria ChavezVOICE/CELLO and TURNTABLEPreview of their upcoming spring tour:Chinese and Peruvian Americans, Chen and Chavez are two female artists who have been working parallel to one another for almost a decade but have never intersected their work until this year. They are embarking on their first collaboration, joining together their ideas of sound, performance and the depth of their respective experiences. Friction and touch amplified by the body to mouth, strings to wood and the needle to speakers.