this hasapi it is shaman staff it is power it is filling my architecture in my body absence of lead it is filling digital space through analog source and digital filter it says: you do not know what you are talking about it says: it is your begu talking it says: this is important it is neither here nor there it says: this is important it is neither now nor then it says: it is not important forget it you don't know anything it says: begu, you are so silly
Forty-eight to Sixteen documents my daily commute from Brooklyn to midtown Manhattan with sensors for my heartrate, breathing, and the cadence of my pedaling, along with chest-mounted video. Cellist Topu Lyo interprets my experience via a composition I derived from the sources that is precisely timed with the video. I am interested in 'performing' data and my and Topu's divergent but equally physical relationship to the information. Additionally, the physiological basis of empathy has implications for recent trends in media culture toward first-person viewpoints and the integration of biometrics into documentary. (Named after the gear ratio of my bike.)
On April 21st, Eyebeam's main exhibition space will be transformed into a small village dedicated to creative sound research. Using resources as diverse as atmospheric sensors, ping-pong balls, string instruments, reverberant plates, magnetized wires, cell phones, data hubs, and laughter, participants from Eyebeam's sound research group will convene to run experiments, share original research, develop work in progress, and explore collaborative strategies.Interaction, encounter, and juxtaposition will be emphasized over sound isolation—the idea being that sound is transparent enough to permit a human ecology that transcends the singular focus of the concert format.From 3PM-7PM the public will be invited to witness the results. The day will culminate in a public discussion at 7PM.